Star Wars: The Last Jedi

Star Wars: The Last Jedi

By: Kevin Jordan

I’m not sure either side should win.

As much as I look forward to many movies every year, none of them do I anticipate as much as Star Wars.  Since writing movie reviews does not pay the bills (or anything but movie admissions, for that matter) and advanced screenings of Star Wars flicks are always in the middle of a weekday, I’m forced to decide whether or not to take a day off to see the movie.  Since my dream of being a professional baseball player died a long time ago, the decision to ditch a day of work for Star Wars is easy.  The only down-side is I have to hold my tongue the next day or two so as not to spoil the movie for anyone within hearing distance of my cubicle.  And for Star Wars, we at the screening got an extra reminder that we shouldn’t ruin the movie for others with spoilers.  But, you know how I feel about spoilers in reviews.  Reviews are spoilers by their very nature.  If you don’t have some level of spoilers, it’s not a real review.  Hence, the obligatory spoiler warning I always include.  So, to meet my extra obligation for Star Wars, here is your warning.





(Seriously.  I’m going to include a few SPOILERS.)


(Are you still with me?)


(Are you sure you want to keep reading?)


(Last chance.  SPOILER ALERT)


(There’s no turning back now.)


(Okay.  I think I’ve made my point.  Here we go.  SPOILER ALERT, but nothing huge.)

This picture contains zero spoilers.

The Last Jedi picks up where we left Rey (Daisy Ridley) standing on an island facing Luke Skywalker (Mark Hamill).  But, really it picks up showing us the Resistance fleeing their base before the First Order shows up to destroy them.  Apparently, there were a whole lot more First Order guys than were on the destroyed Starkiller Base.  General Hux (Domhnall Gleeson), commanding a fleet of star destroyers, shows up at the Resistance’s planet to kill them all and we are treated to a scene straight out of The Avengers.  I think Joss Whedon snuck into the writer’s room to add a can-you-hear-me-now gag in the opening space battle scene and I’m still conflicted on if it works in a Star Wars film.  It’s not that I didn’t laugh (I did), but that exchange turns the EVIL FIRST ORDER and General Hux into the silly first order and General doofus.  Do you know how hard it is to believe that the First Order was able to take over the entire galaxy after watching them fall for a crank call to their battlecruiser?

The opening space battle also made me realize how terrible every faction in this universe is at military strategy and tactics.  On the First Order side, they have a dozen star destroyers that never fire a single shot at the fleeing force or the planet below them, opting to wait for a dreadnaught to show up that carries four gigantic guns.  Incidentally, this was exactly how the Empire lost in Return of the Jedi.  The Empire had a whole fleet of star destroyers that never fired a single shot because they were waiting for the Death Star, even after the rebels began to specifically target the star destroyers.  Anyway, on the Resistance side, they’ve hatched a plan to take out the dreadnaught, led by Poe Dameron (Oscar Isaac), despite Leia (Carrie Fisher) verbalizing the cost wasn’t worth the mission.  Not only does she okay an obviously tiny-odds mission, she tries to back out of it when all the assets are already well past committed, then lays all the blame on Dameron for disobeying a retreat order that was nonsensical.  It’s no wonder the wars never end in the Star Wars universe.  Both sides are militarily dumb.

(Side note: The star destroyer thing is really nagging at my brain.  Seriously, what exactly are they for, if not triangle shaped transports?  Their name implies they can actually destroy things, yet we rarely ever see them fire a shot at anything in any movie.  But, they sure do crash a lot.)

Nobody in the galaxy can actually read that map.

After this, the movie spends time jumping back and forth between the First Order fleet pursuing the remaining Resistance ships and Rey trying to convince Luke to rejoin the Resistance and train her to be a Jedi.  If this sounds an awful like Empire, at least no one gets frozen in carbonite.  Though, speaking of frozen (and here’s the one sorta-real SPOILER), Leia survives being blown up and blasted into space without a spacesuit.  Remember in Guardians of the Galaxy when Gamora and Star-Lord both survive being in space without a spacesuit?  Yeah, it sucked in that movie too.  Watching frozen Leia open her eyes and magic herself back to the ship was possibly the worst moment in the entire franchise, and this franchise includes Jar-Jar Binks.  I get that it can be explained away by the Force and Skywalker DNA, but it undercuts any danger she is in, will be in, or has ever been in.  We all know that Jedi are not invincible and most definitely cannot survive space.  Plus, Leia isn’t even a trained Jedi, making this scene even more ridiculous in the context of this universe.  She should have just been found in the wreckage of the area of the ship that was blasted and nobody would have questioned her survival.

How about a little positivity, since I liked this movie despite its flaws?  The scenes with Luke and Rey are easily the highlight of the movie because we get to learn a bunch of stuff about the past and reunite with one of the all-time movie heroes.  Hamill plays a grumpy old Luke as if he’s been practicing 35 years for exactly this moment.  He’s surly and cynical and you are screaming at Rey to whack him over the head with her staff because we want to see some Jedi stuff, dammit!  Ridley slips effortlessly back into Rey, delivering a character that grows exponentially while on the island, despite Luke’s efforts to drive her away.  There are also some really cool new Force concepts that we get to watch develop, not the least because these scenes involve Kylo Ren (Adam Driver) and his current mindset.  Speaking of Kylo Ren, man is that guy a mental wreck.  Losing a fight to Rey has caused Supreme Leader Snoke (Andy Serkis) to lose faith in his apprentice and Kylo is trying desperately to prove his worth.  I love that Hux keeps poking at him, despite the fact that Kylo is an unstable bomb that could kill Hux with a thought.  This plotline is the heart of the movie and the space chase is just a distracting side story meant to give screen time to Dameron, Leia, and Finn (John Boyega), and deliver most of the action we all want to see.

Can’t you train me just a little you old crank?

This brings us to Finn and a bunch of extraneous stories that end up muddling the film.  If writer/director Rian Johnson had stuck with just those two story threads, the movie would have been far tighter.  Instead, a third story is tossed in where Finn and fellow space janitor Rose (Kelly Marie Tran) embark on a desperate mission to a super-rich city to find a guy who might be able to help them save the fleet from annihilation.  This sub-plot is far more social commentary on income inequality, child slave labor, and the military industrial complex than fantasy space opera with laser swords.  It’s preachy in a way that brings the movie to a screeching halt rather than delivering a subtle, but powerful message dressed in droids and blasters.  I really love Finn as a character, but he felt almost forgotten in this film.

But, oh, that action and special effects.  Mmmmmmmmm.  I know film snobs love to criticize the very existence of CGI, but CGI has allowed us to see things beyond our wildest imaginations.  Everything is this movie was visually stunning (with the exception of the stupid little porgs – penguin-like creatures on Luke’s island that exist solely for Disney to sell merchandise to children.  I’m not exaggerating, these things literally do nothing in the movie outside of being on the Millenium Falcon in some poorly conceived homage to the rightly-derided tribbles of Star Trek fame).  One shot in particular near the end of the film was spectacular to behold (which I won’t spoil) and made even the porgs worth putting up with.  Oh oh oh, and the last planet we see them on?  Just, oh wow.  Even if I did try to describe it (which I won’t), you’d have to see it to understand.  I know I’m big on providing evidence to support a claim (hence the entire reason SPOILERS are necessary in a review), but on this one I’m just going to ask you to trust me.

Gorgeous. Just gorgeous.

If you’ve stuck with me through the previous 1500 words, let me reward you with the answer to the question you really want to know.  How good is The Last Jedi compared to the last two Star Wars movies?  For starters, it definitely has way too much crammed into it (while the other two are very streamlined), but I can’t get enough Star Wars so I’m not really complaining.  I wish they had made some different decisions with a couple of the minor subplots and characters (like with Laura Dern’s vice admiral Holdo, for one).  I wish Finn wasn’t quite so slap-sticky, or the rest of the movie, for that matter, but at least there weren’t any fart jokes.  On the flip side, spending time with Luke was fantastic, Rey and Kylo’s connection is developed sublimely, and the crescendo at the end of the film makes up for all of the minor problems in the film.  All in all, it’s not as good as the previous two films, but it’s still a pretty good Star Wars film.  In other words, we still win.

Rating: Don’t ask for any money back, but I’m saying that far less emphatically than the last two movies.

99 Homes

By: Kevin Jordan

…to evict people from.  99 Homes on the block.  Evict them now.  Move to the next.  98 Homes to evict people from.

Poster Art

Is it okay that I’m being glib about a movie containing realistic depictions of people being evicted from their homes?  On the one hand, it’s really sad and depressing to watch people go through that.  On the other hand, it’s just a movie.  Well, you know what they say – when life gives you lemons, punch life in the throat for giving you the worst fruit you can think of.  At least, that’s the lesson Rick Carver (Michael Shannon) tries to impart on Dennis Nash (Andrew Garfield) in 99 Homes.

In all seriousness, eviction is something that I (and nearly every other homeowner) worry about.  Nothing so drastic as keeping me up at night – I’m fortunate enough to have a steady income and a wife with a steady income as well, but there’s an occasional tickle every now and then where I can’t help but think of the worst case scenario.  This movie brings life to that tickle and it doesn’t discriminate between race or social class in showing us who gets evicted.  I wouldn’t call it a horror movie, but it does more to induce nightmares than most typical horror flicks do.

(Mild SPOILERS ahead.)

Dennis Nash is a construction worker who lives with his son, Connor (Noah Lomax), and mother, Lynn (Laura Dern) and Dennis is struggling to pay the bills and keep up with the house mortgage.  When his current job abruptly ends, he is unable to find more work and finds himself in court, desperate to keep the bank from foreclosing and evicting his family.  Obviously, he fails and finds himself and family ousted from their home by the Orlando police and real estate agent, Rick Carver.  Carver’s business model is representing the banks who own the loans, executing the evictions, and flipping the houses for a profit.  Quickly thereafter, Dennis finds himself working for Rick, whom Dennis essentially wanted dead just a day earlier.  Carver sees someone he can manipulate in Dennis, but also sees in him someone that can increase Carver’s profits.  Dennis gets a crash course in Carver’s operations and soon finds himself as the guy everybody, including himself, hates – the repo man.

While this movie doesn’t steers away from over-dramatizing the eviction run-ins, it does a fantastic job of displaying a few different scenarios.  There are deadbeats, there are defeated families, there are rational people, there are old people verging on Alzheimer’s, there are people who threaten violence, and there are people who sabotage the house prior to leaving (this particular scene is so good you can almost smell what they did – that’s all I’ll say).  But all of them have one thing in common – they all just need a little more time and the desperation is palpable.  After about five minutes of this (and that’s just the beginning), I was more uncomfortable than a scientist in a room full of creationists.  And it wasn’t just because of the situations; it was because Michael Shannon was awesome.

Besides his legitimate business practices, Carver is fully engaged in questionable/illegal activities to keep him ahead in the real estate game.  Among his shady practices, he has figured out ways to scam Fannie Mae out of money in the form of reimbursements (he steals appliances from the homes, gets reimbursed for new appliances, then just reinstalls the stolen ones) and is constantly driving around looking for signs of distressed homeowners so he can expedite their evictions.  Shannon delivers one of the sleaziest characters on screen since Jake Gyllenhaal in Nightcrawler and a much more frightening character than his General Zod in Man of Steel.

Speaking of bad superhero movies, Garfield also redeems himself after the dismal Amazing Spider-Man movies (despite what some people say, he was not a good Spider-Man).  Unlike in those past films, Garfield is given good writing and asked to actually, you know, act.  Throughout the film, Dennis is visibly disturbed by what he is doing to take care of his family.  It’s a little like the way Walter White started out before he saw nothing but dollar signs, but without all the murder and meth.  Dennis can’t sleep at night, he’s looking over his shoulder, and doing everything he can to not feel emotions for the evictees, all while Carver is molding him into a version of Carver himself.  Garfield does such a good job of emoting that you end up feeling the same emotions as him, right up until the credits role.

The best thing about this movie is that it doesn’t take a hard political line on the topic.  In fact, it does a really good job of balancing between people who sympathize with evictees and don’t think they should lose their homes and people who say “tough shit – that is the consequence of borrowing and not paying back” (comment trolls would call them liberal democrats and conservative republicans, respectively – or something much less respectful).  The scene that really hits this dichotomy home is in one of the lessons Carver is bestowing on Dennis in which Carver simultaneously rants against the homeowners for doing stupid things like financing enclosed patios and borrowing too much money and the banks for doing stupid things like loaning money to those people and other people who can’t possibly pay it back.

While I think this was a very good movie with two fantastic performances from Garfield and Shannon, I will never watch this movie again.  That’s not a backhanded compliment or me being glib again – that’s just how uncomfortable this movie made me.  Like American History X and Requiem for a Dream, it’s on my list of movies that I would recommend everybody sit through only once…because that amount of cringing in one showing is enough for ten.

Rating: Don’t ask for any money back and try to get a good night’s sleep.